Room 11A, Ortona Armoury
1 min / 16mm / 2017
The studio workings behind door 11a in the historic Ortona Armoury prior to renoviction by the City of Edmonton. An ode to a practice and place that should not be forgotten.
Room 11A, Ortona Armoury
1 min / 16mm / 2017
The studio workings behind door 11a in the historic Ortona Armoury prior to renoviction by the City of Edmonton. An ode to a practice and place that should not be forgotten.
In the Backyarden
4:53 min / 16mm / 2015
An in-camera visual exploration of a little girl, her garden, and all that pertains.
Trash Heaven
13:00/ S16 / 2015
Co-created with Dave Morgan
Maisie (14) and Kohe (6) talk about the work of their dad, Chad Baba, an artist, junk repurposer, local Edmonton treasure and awesome dad.
bernard gaspé
By Lindsay McIntyre
5:12 min / 16mm / 2013
Rendered in a dream-like pink hue, bernard gaspé uses layered in-camera juxtapositions to present a journey through the neglected architecture of the train tracks in Montréal’s Mile End. (Images Festival)
A Northern Portrait (performed from 2011-2017)
25-35 min / a nine 16mm looping projection performance with optical sound / documentation from 2012
A personal meditation on the Arctic in the form of a live 16mm looping performance on nine projectors. Images are layered with high-contrast mattes and colour textures on four 16mm projectors on a single screen, creating one changing image. The optical audio is looped as well, separate from the images, and mixed live on five 16mm projectors.
barge dirge
7 mins/16mm/2010
A portrait study of an object explored through the structure of film editing and the structure of the object itself.
How to Make a Phantastik Film
1 min / 16mm / 2003
A satirical film featuring a housewife and her attempts at counterculture. Brought to you by Phantastik!
where she stood in the first place.
10 min / 16mm / 2012
Situated at the geographic centre of Canada, Baker Lake, Nunavut is the only inland settlement in the Canadian Arctic. Fixing its gaze on this stark landscape, McIntyre’s haunting and sparse film uses hand wrought black and white 16mm film in a meditation on place and personal histories. (Images Festival)
One of 5 works in the Bloodline series.
what she would not leave behind.
3:00 / S8 and 16mm / 2006
Among the very few essential objects brought South from her home, Kumaa’naaq’s uluit manifest a dream in her great-granddaughter.
One of five works in the Bloodline series.
though she never spoke, this is where her voice would have been.
5:21 / 16mm / 2008
A structural autotopographical study of my great-grandmother through what was left behind and what is missing.
One of five works in the series Bloodline.